As for the A/V presentation(s), both films look and sound stunning*, perhaps predictably so. Note that once the action in Tron: Legacy shifts from the real world to cyberspace, for some reason the aspect ratio starts toggling back and forth between its initial 2.40:1 and 1.78:1. (This isn't a situation like The Dark Knight, where the big set-pieces were shot in IMAX.) Good on Disney for preserving the filmmakers' inscrutable intentions, though. If I have any criticism of Tron: Legacy's 1080p transfer, it's that a bit of banding befalls the image now and again, particularly during the prologue. As an aside, I'm not sure that HD clarity does the Uncanny Dude any favours, but that's the price of progress. Tron, meanwhile, shines up like a new penny in a 2.20:1, 1080p presentation that honours the 65mm lucidity of the bookend scenes and reclaims some of the detail lost to compression in standard def, making the transitions to grainy opticals (basically, any shot of the actors in lightsuits) if not smooth, then a bit less jarring than they've ever been on home video. Kudos again to the studio for resisting the temptation to bridge the gap further through excessive DVNR. Each film blasts the roof off with 24-bit audio; although Tron: Legacy's 7.1 DTS-HD MA track is unimpeachable, Tron's own 5.1 DTS-HD MA option almost impressed me more for the heft it lends such wispy-feeling imagery. Tron is one bassy movie, without a lift from Daft Punk to drive the point home. That being said, Tron: Legacy's score works in beautiful concert with dialogue and effects, never overwhelming either, and the mix as a whole is breathtakingly transparent. Tron and Tron: Legacy are also available individually and together in a gift set with "Identity Disc" packaging. Originally published: February 18, 2011.
Tron Legacy 3d 1080p Castellano
The French electronic duo Daft Punk composed the film score of Tron: Legacy,[74] which features over 30 tracks.[7] The score was arranged and orchestrated by Joseph Trapanese.[75] Jason Bentley served as the film's music supervisor.[76] An electronic music fan, Kosinski stated that to replicate the innovative electronic Tron score by Wendy Carlos "rather than going with a traditional film composer, I wanted to try something fresh and different," adding that "there was a lot of interest from different electronic bands that I follow to work on the film" but he eventually picked Daft Punk.[77] Kosinski added that he knew the band was "more than just dance music guys" for side projects such as their film Electroma.[60] The duo were first contacted by producers in 2007, when Tron: Legacy was still in the early stages of production.[78] Since they were touring at the time, producers were unsuccessful in contacting the group. They were again approached by Kosinski, eventually agreeing to take part in the film a year later.[78] Kosinski added that Daft Punk were huge Tron fans, and that his meeting with them "was almost like they were interviewing me to make sure that I was going to hold up to the Tron legacy."[77] Composition started before the film's production started.[77]
SNEAK PEEKS: PIRATES OF THE CARIBBEAN: ON STRANGERS TIDES [2010] [1080p] [2.35:1] [2:21], CARS 2 [2010] [1080p] [2.20:1] [1:14], TRON EVOLUTION: THE VIDEO GAME [2010] [1080p] [1.78:1] [1:01], DISNEY EPIC MICKEY [2010] [1080p] [1.78:1] [00:32] and THE INCREDIBLES [Blu-ray] [2011] [1080p] [2.20:1] [1:11]
The French electronic group Daft Punk composed the film score of Tron: Legacy, which features over 24 tracks. The score was arranged and orchestrated by Joseph Trapanese. Jason Bentley served as the film's music supervisor. An electronic music fan, Kosinski stated that to replicate the innovative electronic Tron score by Wendy Carlos "rather than going with a traditional film composer, I wanted to try something fresh and different", adding that "there was a lot of interest from different electronic bands that I follow to work on the film" but he eventually picked Daft Punk. Kosinski added that he knew the band was "more than just dance music guys" for side projects such as their film Electroma. The duo were first contacted by producers in 2007, when Tron: Legacy was still in the early stages of production. Since they were touring at the time, producers were unsuccessful in contacting the group. They were again approached by Kosinski, eventually agreeing to take part in the film a year later. Kosinski added that Daft Punk were huge Tron fans, and that his meeting with them "was almost like they were interviewing me to make sure that I was going to hold up to the Tron legacy".
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